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Nearly three hundred species of _Coleoptera_, or beetles, occupy similar positions. Almost any rotten log or stump when broken open discloses a half dozen or more "horn" or "bess beetles," _Passalus cornutus_ L., great, shining, clumsy, black fellows with a curved horn on the head. They are often utilized as horses by country children, the horn furnishing an inviting projection to which may be fastened, by a thread or cord, chips and pieces of bark to be dragged about by the strong and never lagging beast of burden. When tired of "playing horse" they can make of the insect an instrument of music; for, when held by the body, it emits a creaking, hissing noise, produced by rubbing the abdomen up and down against the inside of the hard, horny wing covers. This beetle passes its entire life in cavities in the rotten wood on which it feeds, and when it wishes a larger or more commodious home it has only to eat the more.

War was now inevitable; but the incapacity of Sp. Postumius Albinus, who arrived to conduct it (B.C. 110), and still more that of his brother Aulus, whom he left to command in his absence, when called away to hold the elections at Rome, proved as favorable to Jugurtha as the corruption of their predecessors. Aulus, having penetrated into the heart of Numidia, suffered himself to be surprised in his camp; great part of his army was cut to pieces, and the rest only escaped a similar fate by the ignominy of passing under the yoke. But Jugurtha had little reason to rejoice in this success, great as it might at first appear; for the disgrace at once roused all the spirit of the Roman people; the treaty concluded by Aulus was instantly annulled, immense exertions made to raise troops, and one of the Consuls for the new year (B.C. 109), Q. Caecilius Metellus, hastened to Numidia to retrieve the honor of the Roman arms. But this did not satisfy the people. The scandalous conduct of so many of the Nobles had given fresh life to the popular party; and the Tribune C. Mamilius carried a bill for the appointment of three Commissioners to inquire into the conduct of all of those who had received bribes from Jugurtha. Scaurus, though one of the most guilty, managed to be put upon the Commission. But he dared not shield his confederates. Many men of the highest rank were condemned, among whom were Bestia, Albinus, and Opimius. The last named was the Opimius who acted with such ferocity toward Caius Gracchus and his party. He died in exile at Dyrrhachium some years afterward, in great poverty.

Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.

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