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Presently my own blind finger-ends fished up the conclusion, that as I had neither time nor money to spend on perfecting the chain that would put me in full spiritual contact with Mr. Sweeting's turtles, I had better leave them to complete their education at some one else's expense rather than mine, so I walked on towards the Bank. As I did so it struck me how continually we are met by this melting of one existence into another. The limits of the body seem well defined enough as definitions go, but definitions seldom go far. What, for example, can seem more distinct from a man than his banker or his solicitor? Yet these are commonly so much parts of him that he can no more cut them off and grow new ones, than he can grow new legs or arms; neither must he wound his solicitor; a wound in the solicitor is a very serious thing. As for his bank--failure of his bank's action may be as fatal to a man as failure of his heart. I have said nothing about the medical or spiritual adviser, but most men grow into the society that surrounds them by the help of these four main tap-roots, and not only into the world of humanity, but into the universe at large. We can, indeed, grow butchers, bakers, and greengrocers, almost ad libitum, but these are low developments, and correspond to skin, hair, or finger-nails. Those of us again who are not highly enough organised to have grown a solicitor or banker can generally repair the loss of whatever social organisation they may possess as freely as lizards are said to grow new tails; but this with the higher social, as well as organic, developments is only possible to a very limited extent.

Alcides cried like a child for some time. He and the others were ill with fever. Those men I had left in charge of my baggage at the camp in the forest had remained at that camp for seven days after my departure. Believing that I was never coming back, three of them had abandoned everything there, and even their companion Antonio, who was in a dying condition and was unable to walk. They had proceeded quickly to the Tapajoz, where they had found plenty to eat. Two or three days later Antonio had become better; he had shot some monkeys and birds, and had been able to keep alive. Had it not been for the kind-hearted _seringueiro_, Albuquerque, who had started out to rescue Antonio, the poor devil would have certainly died there, abandoned by everybody.

Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.

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