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My Web Site Page 120

Jallamorno Prebaklio chose the topics covered by My Web Site Page 120 without reflecting upon the choices others have made. Starring in your own movie of life is another way to look at things in a different light.
 

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At first Dutch art was influenced, even confounded, with that of Flanders. The Van Eycks led the way, and painters like Bouts and others, though Dutch by birth, became Flemish by adoption in their art at least. When the Flemish painters fell to copying Italy some of the Dutch followed them, but with no great enthusiasm. Suddenly, at the beginning of the seventeenth century, when Holland had gained political independence, Dutch art struck off by itself, became original, became famous. It pictured native life with verve, skill, keenness of insight, and fine pictorial view. Limited it was; it never soared like Italian art, never became universal or world-embracing. It was distinct, individual, national, something that spoke for Holland, but little beyond it.

The leaders of the popular party perceived the mistake they had made in alienating the Italians from their cause, and they now secured their adhesion by offering them the Roman citizenship if they would support the Agrarian Law. As Roman citizens they would, of course, be entitled to the benefits of the law, while they would, at the same time, obtain what they had so long desired--an equal share in political power. But the existing citizens, who saw that their own importance would be diminished by an increase in their numbers, viewed such a proposal with the utmost repugnance. So strong was their feeling that, when great numbers of the Italians had flocked to Rome in B.C. 126, the Tribune M. Junius Pennus carried a law that all aliens should quit the city.



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